Skip to content

Multiple Perspectives on Design

Four years ago, I left academia to join a small design startup, Mile Two. Ironically, after more than 30 years in academia teaching about applied cognitive psychology, human factors and cognitive systems engineering, it feels like my education on design has just begun. I discovered that essential people on our design teams were trained very differently than I was and brought skills and talents to the team that I was lacking. I recently collaborated with some of these teammates on a chapter to reflect on some of the different perspectives that contribute to the development of software to support cognitive work. The first figure was our attempt to summarize some of the different disciplinary perspectives and the second figure is a more elegant revision of that figure suggested by my friend and colleague Fred Voorhorst. 

Figure 1. Multiple perspectives on design from Flach, Bennett, Butler & Heroux (In press Handbook of Human Factors). 

Figure 2. Multiple perspectives on design by Fred Voorhorst.

These diagrams suggest four classes of constraint that must be considered in the design and development process:

  • Agency Constraints: These are properties of the "agents" in the system. Traditionally, the agents have been humans, but as machines becoming increasingly autonomous - we now have to consider the internal constraints of these autonomous agents. 
  • Implementation Constraints: These reflect properties of the computers that will host the software. They include things such as the types of displays and the control/input devices.
  • Functional Constraints: These are properties of the work domains or the problem spaces that are the targets for the cognitive work. These include the physical, regulatory, and organizational dynamics that limit the range of possible actions and consequences. 
  • Aesthetic Constraints: These are properties of the psychological and cultural values that determine the degree of satisfaction or frustration associated with using the software products. 

All of the four disciplines, at least implicitly, recognize the full range of constraints, however, each discipline tends to emphasize a subset of these constraints in training and practice. 

Human Factors [HF] tends to emphasize the constraints associated with human agency. That is, the focus is on specifying the physical [e.g., reach envelops], perceptual [e.g., visual acuity] and cognitive [e.g., working memory capacity] limitations of humans, so that these limitations are respected in the final design. 

User Interface Design [UI] or Human Computer Interaction [HCI] tends to emphasis the impact of various computer capabilities on performance. For example considerations include types of displays [e.g., table-top, large-screen, hand-helds, or head mounted], types of controls [e.g., keyboard, mouse, game controller, touchscreen], and types of mediation [e.g., co-located or distributed via internet]. 

Cognitive Systems Engineering [CSE] focuses on the problem or work domain constraints. This involves describing the means-ends relations in terms of affordances and exploring alternative strategies or heuristics that might be used to efficiently navigate the functional space. 

User-eXperience Design [UX] tends to consider the larger psychological and cultural context of use that impacts people's self-image and sense of satisfaction when using the design product. 

I come from an HF perspective and was involved in the early development of the CSE perspective. Thus, much of my career has been spent arguing for the value of a CSE perspective for filling gaps in the design space that I felt were not adequately addressed by the HF perspective. The point was not that the HF perspective was wrong, but that it was not sufficient. 

However, over the last few years spent developing software products I have come to realize that even the combination of HF and CSE leaves many gaps in the design space that require skills and perspectives associated with UI and UX design. I realize that my sense of the full demands of design were still quite naive and inadequate. 

I now regret that I did not have and was not able to give my students a broader sense of the full breadth of the design challenge. Yet, I realize that it would be impractical to cover the full breadth of design in any reasonable course of study. Thus, much of the education must continue beyond the formal course work. And ultimately, I have come to the conclusion that design is a team sport that requires a diverse set of perspectives and people who are open to and  who welcome alternative perspectives.  To function on such a team I have had to dampen my tendencies to be an advocate for a particular perspective and I have had to heighten my ability to listen to and appreciate the value of alternative perspectives. 

2 thoughts on “Multiple Perspectives on Design

Leave a Reply

Your email address will not be published. Required fields are marked *